Mr. Bennet is a very benevolent character in the Pride and Prejudice movies, such as the BBC adaptation with Colin Firth and the newer Keira Knightly version.
As much as it pains me to announce this, after re-reading Pride and Prejudice again as an adult, I really didnât like Mr. Bennet. I think that in the movies heâs a lovable father, which would explain fan reactions and his place on the âBest Fatherâs Listâ in many people’s books.
In the movies heâs portrayed as a great guy, and pretty funny. I currently think perhaps all this Mr. Bennet love is a bit much. In fact, I think Mr. Bennet is kind of an ass hole.
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Hereâs my reasoning. In opposition to his various popular movie personas, Mr. Bennet of the novel itself is often painted as a defunct father figure, and honestly a pretty horrible partner in marriage.
He remains emotionally detached from his family throughout the novel, sometimes with dire consequences. As a substitute for parental involvement, he seeks solitude in his library.
Instead of being concerned about the entailment of his property and its consequences on the people under his care, he ignores his responsibilities as a caregiver and also as a patriarch of the landed gentry in Regency England.
As a result, not only are his daughters at risk of becoming destitute, but every person who relies on his estate. Thatâs just plain irresponsible.
Little bit of research for you: Frances Chiu points out how a critique of state authorities turned into a general decline in paternal authority in the Eighteenth Century, as highlighted in John Millarâs Observations Concerning the Distinction of Ranks in society (1771), which displayed negative examples of paternal aggression and power (5). Chiu and others discuss the fact that a more moderate form of parenting was being propagated throughout the period (Chiu 6, Stone 433). She asserts that with the colonial project underway, parenting in England became an attempt to avoid “barbarism,” while paternal aggression and severity became increasingly associated with the barbaric, un-English other.
From BBC.CO.UK
However, Austen kind of critiques that parenting style through Mr. Bennet. In the novel, Mr. Bennet is not only too mild, but generally heâs completely checked out.
In opposition to the fear of the âbadâ authoritarian and controlling father figure that permeated English dialogues on parenting, her portrayal of such a negligent father, and the consequences of his lack of discipline, instead illustrates the consequences of extreme leniency.
Elizabethâs emotional needs are ignored by the only parent with whom she may have developed an attachment to, and from whom she requires a sense of safety and respect.
When Mr. Bennet asks about her supposed engagement to Mr. Darcy, we are told that âElizabeth had never been more at a loss to make her feelings appear what they were not. It was necessary to laugh, when she would rather have cried. Her father had most cruelly mortified her, by what he said of Mr. Darcyâs indifference, and she could do nothing but wonder at such a want of penetration.” This moment is painful for me, since he is one of her only supposed allies, and just doesn’t get it.
But he usually just kind of can’t be bothered. Austen shows that his inability to participate in the family circle and his attempts to make a joke of his responsibilities make his family more vulnerable to the ridicule of society (Mr. Darcy, and the Bingleys for example), and also leaves them open to the invasion of Mr. Collins and all of his absurdity. Patriarchs of households were expected to actively partake in protecting their family during this time period.
More research on the subject: Naomi Tadmor develops an understanding of the concept of âfamilyâ in the time period. From studying how the word âfamilyâ is itself used in different texts and diaries from the time, she constructs how the idea of a family and its function was viewed in the culture of Jane Austenâs contemporaries.
Her research shows that the idea of family included all members of a household under patriarchal authority, whether they were related by blood or by contract. Her study of patriarchal responsibility contrasts with Mr. Bennetâs lack of filial dependability.
By examining views of family and responsibility during this time period, it becomes clear that Mr. Bennetâs failure to ensure his familyâs financial and emotional safety affects even more people than just his wife and daughters âit extends to every servant or housekeeper living under his roof.
Despite all of the people who rely on him, Mr. Bennet just doesn’t really give a shit most of the time. He is farcical at best and lazy at worst.
He stands up for Elizabeth not marrying Mr. Collins, but gives Darcy consent to marry Elizabeth mostly because he is intimidated by him, not because he believes him to be a good person, or believes Elizabeth to be in love with him.
He states, âI have given him my consent. He is the kind of man, indeed, to whom I should never dare refuse any thing.â
After hearing her reasons for being in love with him though, he says, âI could not have parted with you, my Lizzie, to anyone less worthy.”
Yet, he had already given his consent to Mr. Darcy, before hearing from Elizabeth……sigh.
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Mr. Bennet does not set a strong example for his children, leaving them without his emotional support, but also without a reasonable parent to rely upon. During the time, it was advised âthat parents lead by example rather than resort to corporeal punishmentâ and this was especially true for fathers of the period in their role as patriarch (Stone 433). Yet another strike.
As the head of his household and everyone under his roof, his reaction to Mr. Collins, the future owner and manager of the Bennetâs home, is inappropriate, and incongruous with the severity of the entailment. He hopes Mr. Collins is ridiculous for his own personal amusement, even while aware that the same man will one day be in charge of his daughtersâ fates.
After Mr. Collins makes himself thoroughly ridiculous to the entire party during the ball, âMany stared. â Many smiled; but no one looked more amused than Mr. Bennet himself, while his wife seriously commended Mr. Collins for having spoken so sensibly.â In this scene, Elizabeth is shocked and horrified, whereas Mr. Bennet is shown to be thoroughly enjoying his familyâs embarrassment.
He treats the mortification of his cousin and his wifeâs reputation as something to be laughed at, even though he should, we would expect, be as mortified as Elizabeth, if not more so. Mr. Bennetâs inappropriate reaction to this scene might easily be forgotten, except when Elizabethâs feelings are taken into account. Because of this failure, Elizabeth consistently attempts to shoulder the burden of responsibility to influence her father, although her position is limited.
Elizabeth asks her father of Mr. Collins in earnest: âCan he be a sensible man, sir?â to which he responds in jest, âNo, my dear; I think not. There is a mixture of servility and self-importance in his letter which promises well. I am impatient to see himâ (60). When he meets Mr. Collins, his âexpectations were fully answered. His cousin was absurd as he had hoped, and he listened to him with the keenest enjoyment, maintaining at the same time the most resolute composure of countenance, and except in an occasional glance at Elizabeth, requiring no partner in his pleasureâ (64).
Although there is a sarcastic humor in his tone, it doesn’t really make the danger any less real for his daughters and dependents, who would have been really screwed if he died. Throughout the text, his inappropriate behavior is damaging to his wife and children, and places his family in a vulnerable social position.
Interestingly, Darcy steps in and acts the true patriarch of the Bennet household by protecting Lydiaâs reputation, through talking with Bingley about Jane to secure both their happiness, and by marrying Lizzie despite her âbad father.â After Elizabeth marries him, Mrs. Bennet is shown to be happier, although not smarter, Mr. Bennet begins to travel, and Kitty spends a lot of time âin society so superior to what she had generally knownâ and was much improved. Lydia is with Whickham and out of everyoneâs way, and even Mary, we are told, is no longer as miserable as she was when all of her sisters were there, as she is âno longer mortified by comparisons between her sistersâ beauty and her own.â
When Mr. Bennet is no longer the dominant male influence in the family, Elizabeth and the other characters in the novel are shown only to have gained.
Mr Bennet, I must say I am very disappointed in you, and that I like you much better as a movie character.
A bit annoyed,
Miss E
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Hey look, some references đ
Chiu, Frances A. âFrom Nobodaddies to Noble Daddies: Writing Political and Paternal Authority in English Fiction of the 1780âs and 1790âsâ Eighteenth- Century Life. Vol 26.2., Spring 2008. Print.
Morris, Ivor. âElizabeth and Mr. Bennet.â Persuasions On-Line. 25:1 (Winter 2004). Web.
Tadmor, Naomi. Family and Friends in Eighteenth-Century England, Household, Kinship, and Patronage. Cambridge University Press, 2001. Print.
Trumbach, Randolph. The Rise of the Egalitarian Family, Aristocratic Kinship and Domestic Relations in Eighteenth-Century England. Academic Press, New York, 1978. Print.
Stone, Lawrence. The Family Sex and Marriage in England 1500-1800. Harper & Row, New York, 1977. Print.
